Nikita Infantcia Fernandes is a cultural researcher, educator and record collector. Drawing on these cross-pollinatory practices, she is interested in the use of sonic engagement within museum and cultural spaces. Her passion for music and music history materialised into Fuzzy Frequencies- a listening project highlighting hidden gems on wax from across the globe. And most recently informed her MA thesis at SOAS titled Music, Migration and Memories: How Jazz influenced Goan musicians in Dar es Salaam.